Art Contents Archive

Avian pendants called águilas—or eagles by the invading Spanish—were symbols of mythological power in the region now known as Veraguas, #Panama. 🦅 Caribbean leaders wore them to emulate the natural prowess of birds of prey during ceremonies. Learn more: https://t.co/eSdapjqU49 https://t.co/i57NjhioGt

In the winter forest / The black bird 📷© Renate Wasinger https://t.co/dkNcFXQ7RQ

cj_hendry: Paint is possibly on of my favorite things to draw #cjhendry

After the Bullfight by Mary Cassatt #marycassatt

Tree of Life by Ernst Steiner #ernststeiner

We are so excited to share this new body of work in progress in Aneta Grzeszykowska's studio in Warsaw. Image: Aneta Grzeszykowska “SKINFORMER no. 1,” 2020/2021 leather, wood 74.8 x 59.1 inches, 190 x 150 cm #lylesandking #anetagrzeszykowska #contemporaryart #leather

‘Pierre Verger in Suriname’ an exhibition by Willem de Rooij, was set to open at Portikus in Frankfurt am Main last November before being postponed to lockdown. Sebastjan Brank reviewed the exhibition for the current issue of Arts of the Working Class, writing the exhibition ‘aims to intervene in the fossilised disciplines of art history and ethnography, avoiding didacticism and problematising colonial methods of visual categorization.’ Read the full review online at the link in our stories. Image: Pierre Verger – Hindou, Paramaribo, Suriname (1948). © Foundation Pierre Verger, Salvador, Bahia, Brazil. willem.de.rooij arts_of_the_working_class kunsthalle_portikus

passage to a dream, Me, Digital, 2021

Spaghetti Dinner, me, oil on canvas, 2021

Good bad ugly?

Goldfish, Me, Photoshop, 2020

Kitten drawing

Birthday dog, me, pencil, 2020

Painting I made ♥️

Art history's masterpieces got a whole new context thanks to an unexpected presence: Bernie Sanders https://t.co/ptX7VYIB5J