3 years ago
(Sep 06, 2021 07:40)
#WorkoftheWeek: The optical effects in Josef Albers’s “Homage to the Square: Apparition” (1959)—shimmering color contrasts and the illusion of receding and advancing planes—were meant not so much to deceive the eye as to challenge the viewer’s faculties of visual reception. https://t.co/lHbNrSwfJd
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Sky Octopi, me, Ink on Bristol Paper, 2021
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3 years ago
(Sep 06, 2021 07:48)
“Labor Day aka Beer & Hotdog” oil, me, 2019
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3 years ago
(Sep 06, 2021 06:58)
Bite, Me, Mixed Media Sculpture, 2021
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untitled, me, spray paint and acrylic, 2021
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3 years ago
(Sep 06, 2021 04:45)
Pause your scrolling and go sculling with Thomas Eakins. 🚣 In 1870, Eakins began a series of paintings on the sport of sculling, a type of rowing that employs two oars. An avid sculler, Eakins portrayed himself in this charming painting. Learn more: https://t.co/Lwzlk4TMnj https://t.co/0Au8oSfoAz
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We’re LIVE! Join us on Instagram for a sketch-along workshop from inside The EY Exhibition: #TheMakingOfRodin at Tate Modern, led by London Drawing Group's Luisa-Maria MacCormack. ✏️ Tune in here: https://t.co/UsAF4PmbDD https://t.co/KuSAE55vyx
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3 years ago
(Sep 06, 2021 05:33)
How much do you know about the Bauhaus? https://t.co/Ium0uCY4UE
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‘We like to say that art doesn’t give answers, it raises questions and inspires different possibilities and perspectives. It’s about the viewer.’ ––Beatrice Trussardi https://t.co/6RHcUZDtRK https://t.co/07EkidmQ0U
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