2 years ago
(Mar 11, 2023 07:47)
Four water scenes up close and personal. https://t.co/1Xw1Kn9AMI
8
57
2 years ago
(Mar 11, 2023 07:58)
ahoundahoundahound, me, graphite, 2022
6
69
93% up
A little mushroom in the rain, Me, Watercolor, 2023
3
88
100% up
Read conversations with Jen Stark and Sarah Zucker exploring the work they are creating in dialogue with LACMA’s permanent collection for "Remembrance of Things Future", curated and engineered by @CactoidLabs. Learn more ➡️ https://t.co/gwtli8Bcyx https://t.co/J8hz9wVp3T
16
49
2 years ago
(Mar 11, 2023 07:39)
birds, me, fineliner on paper, 2023
5
44
100% up
2 years ago
(Mar 11, 2023 07:34)
Seaspray and Stars ✨ © Barbara Peirson https://t.co/zJTUG6sUfw
8
49
2 years ago
(Mar 11, 2023 09:56)
“I’ve often framed AI as a kind of poison, one that we can use in a healing way or in a harmful way, depending on our approach.” On #MoMAMagazine, K. Allado-McDowell reflects on AI and creativity. Read more → https://t.co/om5Y5mEFx8 https://t.co/pVChSz7uEH
7
42
2 years ago
(Mar 11, 2023 09:25)
Lynda Benglis was first recognized in the late 60s with her poured latex and foam works. Her work created a perfectly timed counter to the male-dominated fusion of painting and sculpture with the advent of Process Art and Minimalism. #GuggenheimWomensHistory 🗿: "Juliet," 1974 https://t.co/lNTk3uCg2g
5
40
2 years ago
(Mar 11, 2023 07:19)
Arrival of Captured Crusaders at Cairo 1250, by unknown artist, engraving, 2018
2
18
100% up
2 years ago
(Mar 11, 2023 05:46)
ms. pigeon periodically puffing, Me, Mixed Media, 2023
0
36
100% up
2 years ago
(Mar 11, 2023 07:33)
Sharpie Hawk, watercolor, by me, 2023
1
33
100% up
