Happy birthday to the pioneering artist and activist Faith Ringgold, born October 8, 1930 ✨ Her triptych “Street Story Quilt”—which shows the same Harlem facade over three different moments in time—is a powerful example of her story quilts. Learn more: https://t.co/9E3Qrl6Dg1 https://t.co/neBbD3XMzU
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In 1967, Pierre Clémenti’s purchase of a 16mm camera unleashed a two-decade drive to capture life around him. See the entirety of the actor’s directorial output in our theaters opening October 13. 🎟️ Learn more and get tickets → https://t.co/hyIKmKnCPt https://t.co/xnuugf32Y9
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One of its most noteworthy aspects is the imposing presence of Joanna Hiffernan. In the 19th century, the typical grand manner portrait was that of a very wealthy subject. Whistler and Hiffernan broke formal conventions by inserting a working-class Irish immigrant at the center. https://t.co/3WBPy37oHK
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'The unique thing about Paris is that it’s a city of contrasts, more so than New York. It’s a city that completely confounds our expectations.' Ahead of the opening of Paris+ par Art Basel, the director, Clément Delépine shares his vision. 👉 https://t.co/7MgLHmkDZN https://t.co/zl58hVviJA
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The disgruntled man directed his anger toward an ancient bust, which toppled to the floor. While fleeing the scene, he also damaged another sculpture. https://t.co/hDSS37upfX
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Take a deeper dive into the history of Joanna Hiffernan and James McNeill Whistler before our “Woman in White” exhibition leaves the National Gallery on Monday. Plan your visit 🔎👉🏽 https://t.co/52bnvxSk8A
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Outlaws, Random Cushing (me), drawn digitally in Procreate, 2020
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Forget Me Not, Me, Watercolour & Digital, 2021
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At the intersection of spooky season and global feminism, we have witches. https://t.co/VH5FyrhnwT https://t.co/wII9I1KY9d
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Green dreams, me, oil painting, 2022
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In an article for "Gagosian Quarterly," Negar Azimi speaks with artist Mehdi Ghadyanloo about his murals in Tehran, his preoccupation with slides, and his inspirations from Giorgio de Chirico to Alfred Hitchcock: https://t.co/RiCDQqhNTe https://t.co/p2yuXeNaP6
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“King Pecueca The Lonely,” Me, Sculpture, 2021
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Little album artwork I did for local Chicago band SANCTIONER. 5x5".
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Frieda Toranzo Jaeger: ‘My paintings invite you to take control, to take power, to experience living.’ In a quiet garden studio in Mexico City, the artist Frieda Toranzo Jaeger reflects on queer identity, resistance, and decolonial thinking. Watch now: https://t.co/KKAfweI5k5 https://t.co/sIUihQo9Le
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